Museum of International Folk Art
New World Cuisine: The Histories of Chocolate, Mate y Más
FOR IMMEDIATE RELEASE
September 18, 2012
(Santa Fe, September 18, 2012)—An exploration of the dawn of world cuisine as we know—and consume—it today opens December 9, 2012 at the Museum of International Folk Art with New World Cuisine: The Histories of Chocolate, Mate Y Más. The exhibition runs through January 5, 2014.
New World Cuisine explores how foods around the world developed from mixing the old and the new, and how many of the tastiest dishes and desserts came to be associated with New Mexico.
The mixing of peoples and foods—the fusion of cultures and traditions referred to as mestizaje—began in August 1598. It was then that Juan de Oñate’s 500-strong expedition of soldiers, families, and Franciscan friars settled in New Mexico on the fertile and irrigated farmland of the Tewa Pueblos of Yungue and Okhay, located at the confluence of the Chama and Rio Grande Rivers.
But the ingredients for change were tossed into the melting pot a century before by Christopher Columbus when foods from the Old World were mixed with those of the new and brought improvements from farm to table.
The Old World gained new staple crops, including potatoes, sweet potatoes, maize, and cassava. Tomatoes, chili peppers, cacao, peanuts, and pineapples also were introduced, and some became culinary centerpieces in many Old World countries: the tomato in Mediterranean countries Italy, Greece, and Spain; the chili pepper in India, Korea, Thailand, and China, via the Philippines; and paprika made from chili peppers, in Hungary.
New World foods brought caloric and nutritional improvements over previously existing staples; others, like tomato and chili, complemented existing foods and traditional recipes, adding not only nourishment but also new, improved taste.
Because the New World’s vast and unpopulated fertile land was well suited for cultivating the same crops in high demand in Old World markets, the Americas became the main global supplier. Moreover, the increased supplies lowered prices for commodities such as sugar, coffee, soybeans, oranges, and bananas making them affordable for the first time to the general population.
Historian Alfred Crosby notes that by planting “American” crops the Old World farmer was able to produce food from soils that prior to 1492 grew little. Crosby even posits that the seeds of exchange created enormous wealth in the Old World and improved nutrition resulting in a population explosion, and eventually fueled the Industrial Revolution.
To be sure, farming techniques were traded from one world to the other, with farmers from both developing a mutual appreciation for those that proved successful in weather and soil, good or bad.
And while crops and cuisines changed in the Old World, Franciscan monks in the new furthered culinary and cultural fusion. From the fruits of New World farmers’ labors, mission kitchens became “laboratories” where indigenous squash, corn, and beans were taste-tested with the Spanish meats, dairy, and spices to create many of the foods enjoyed to this day.
On view will be more than 300 objects objects from the museum’s vast collection of historical culinary items related to food harvesting, preparation, table settings, and utilitarian and decorative implements. Some examples are Asian and European spice jars retrofitted with intricately detailed locking metal lids in Mexico City to protect a household’s cacao from thieves; traditional pottery cooking vessels reimagined by metal smiths using hammered copper to accommodate the molinillo used to froth chocolate; talavera kitchen and tableware modeled after Chinese import porcelains; fine antique and contemporary silverware from Europe and the Americas. All provide insight into the importance placed on crafting exquisite food vessels and implements—and that you are what you eat with.
“It’s such a fabulous history,” curator Nicolasa Chávez said. “We’re borrowing one tiny pottery sherd from Chaco Canyon that was tested for theobroma (chocolate’s scientific name). I wanted that in the exhibit to really bring home to New Mexico that we’ve had a 1,000-year-old love affair with chocolate.”
The exhibition, which remains open through January 2014, is about cultural heritage, nourishment, and regeneration—perfect subjects to begin a New Year.
Curator of Spanish Colonial and Contemporary Hispano/Latino Collections
The Museum of International Folk Art houses the world’s largest collection of international folk art, with the popular ongoing exhibition Multiple Visions: A Common Bond in the Girard Wing. Changing and traveling exhibitions are offered in the Bartlett Wing and exhibitions highlighting textiles are featured the Neutrogena Wing. Lloyd’s Treasure Chest offers visitors interactive displays about collections and how museums care for collections.
The Museum of International Folk Art is a Division of the New Mexico Department of Cultural Affairs.
Information for the Public
Location: The Museum of International Folk Art is located on Museum Hill™, Camino Lejo off Old Santa Fe Trail.
Contact: 505-476-1200 or www.internationalfolkart.org.
Days/Times: Tuesday through Sunday, 10:00 a.m.-5:00 p.m. Between Memorial Day and Labor Day the Museum is open 7 days a week, including Mondays.
Admission: Adult single-museum admission is $6 for New Mexico residents, $9 for nonresidents; OR $15 for one-day pass to two museums of your choice (Museum of Indian Arts and Culture, Museum of International Folk Art, New Mexico Museum of Art, and New Mexico History Museum/Palace of the Governors) OR $20 four-day pass to the four museums listed above. Youth 16 and under, Foundation Members, and New Mexico Veterans with 50% or more disability always free.
Sundays: New Mexico residents with ID are admitted free. Students with ID receive a $1 discount. Wednesdays: New Mexico resident seniors (60+) with ID are free. Field Trips There is no charge for educational groups attending the museum with their instructor and/or adult chaperones. Contact the Tours office by phone at (505) 476-1140 or (505) 476-1211 to arrange class/group visits to the Museum.